70 Years in the Making: Gerardo Amorín, A Life in Music and Craft
- June B
- Oct 30, 2024
- 3 min read
Updated: Nov 8, 2024
Gerardo Amorín, singer-songwriter, multi-instrumentalist, and music producer, brings a rich depth of experience and emotion to his music. Drawing from a life immersed in rock, alternative, and indie genres, Amorín’s sound is instantly recognisable for its fusion of heartfelt lyricism and the resonant 12-string guitar. With his latest work, 12 Canciones para 12 Cuerdas, he’s crafted a 12-track project that highlights the distinct, layered textures of the instrument he’s spent years mastering.
1979 - Memorias.
From left to right: Carlos Disevo, Gerardo Amorin, Lalo Acone, Daniel Rodriguez, Daniel Abraham
Before going solo, Amorín was the lead singer and bassist for various rock bands. His work with Credo even earned a mention in De las Cuevas al Solís, Cronología del Rock by Fernando Peláez, a testament to his influence on the rock scene. His music is more than melody; it’s a message. Amorín’s songwriting often begins with a melody or riff that guides him toward the deeper story he wants to tell. With themes that touch on social issues, human suffering, and occasionally love, his lyrics explore what he considers essential in life, a perspective crafted over decades. “It’s vital to have something meaningful to say,” Amorín shares, “otherwise, it’s just empty words.”
1975, Uruguay - Credo.
From left to right: Nelson Acosta, Roberto Avila, Ernesto Cucci, Gerardo Amorin, Enrique "Bruja" Perdomo, Gustavo Fernancez, Rodrigo Alzueta
Amorín’s influences are as broad as his musical journey. Beginning with North American and British rock icons like The Beatles and Led Zeppelin, he also draws inspiration from Argentinian rock pioneers like Spinetta and Charly García, alongside influential Spanish artists such as Antonio Vega. His music has evolved, shaped by these sounds and the changing landscapes of rock across Latin America, Spain, and beyond.
Despite his years of recording experience in professional studios, Amorín now prefers the freedom of home production, where he can experiment with different textures and sounds without limitations. “Thanks to technology, I can now handle recording and production at home,” he says. This hands-on approach has allowed him to maintain the organic quality of his songs, where the essence of guitar and voice shine, whether he’s playing solo or backed by a full band.
1976, Uruguay - Credo.
From left to right: Rodrigo Alzueta, Roberto Avila, Gerardo Amorin, Gustavo Fernandez
As a multimedia artist, Amorín has always been deeply involved in the visual aspects of his music. A retired graphic designer and illustrator, he now channels his artistic vision into his music projects. For his recent single, “Reloj de Arena,” he created a mixed-media visual for each verse, blending illustration and animation, which will soon be available on YouTube. His love for video production is apparent in his self-directed music videos, where he continues to bring his stories to life visually.
1970, Uruguay - Constelación. "My first band".
From left to right: Gustavo Fernandez, Ernesto Cucci, Gerardo Amorin, Roberto Avila.
In his message to fans, Amorín encourages support for emerging musicians. “The big names were all emerging artists once,” he reminds us. His 70 years have given him a unique perspective on life and art, one that embraces youth and innovation. “Age is an attitude,” he says. “We should always be learning, especially from the younger generations. Life is finite, but every project I approach as if it could last forever.”
2023, Madrid - Sala JazzVille
Gerardo Amorín’s work is a testament to the lifelong power of creativity and resilience. His music, from the social themes to the soulful 12-string compositions, speaks to a life lived fully, a journey he generously shares with the world.
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